Fear Files: Lockwood Is in Love Again Download
| Honey Story | |
|---|---|
 DVD embrace | |
| Directed by | Leslie Arliss |
| Written by | Rodney Ackland (dialogue) |
| Screenplay past |
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| Based on | "Honey Story" by J. Westward. Drawbell |
| Produced by | Harold Huth |
| Starring |
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| Cinematography | Bernard Knowles |
| Edited by | Charles Knott |
| Music past | Hubert Bath |
| Product | Gainsborough Pictures |
| Distributed past |
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| Release date |
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| Running time | 113 minutes |
| State | United Kingdom |
| Language | English |
| Budget | £125,000[one] [two] |
| Box office | £200,000[2] |
Dear Story is a 1944 British black-and-white romance film directed by Leslie Arliss and starring Margaret Lockwood, Stewart Granger, and Patricia Roc. Based on a curt story past J. W. Drawbell, the film is about a concert pianist who, afterward learning that she is dying of heart failure, decides to spend her last days in Cornwall. While there, she meets a former RAF airplane pilot who is going blind, and soon a romantic attraction forms.[iii] Released in the Us as A Lady Surrenders,[iv] this wartime melodrama produced past Gainsborough Pictures was filmed on location at the Minack Theatre in Porthcurno in Cornwall, England.[5]
Plot [edit]
Concert pianist Felicity Crichton Lissa Campbell (Margaret Lockwood) leaves her successful music career to devote herself to the British war effort. She applies to be in the Women's Auxiliary Air Force, role of the RAF, just is rejected for health reasons. She then learns that she has a eye condition and does non have long to alive.
Determined to live her final months fully, she goes to a resort in Cornwall. Not wanting to be recognised, she introduces herself as Lissa. She is before long befriended by Tom Tanner (Tom Walls), a salty old Yorkshireman, on authorities assignment to investigate mines. He sees her sadness, but does not pry.
She meets Kit Firth (Stewart Granger), a advised immature engineer, and they form an association. She does non know Kit volition soon be blind due to a war injury. The merely one who knows is Judy (Patricia Roc), his childhood friend who is secretly in love with him. Meanwhile, Tom arranges for a piano to be provided for Lissa and she begins composing,(music later to become famous as the Cornish Rhapsody) inspired by her new environment and by Kit. After, Kit introduces Lissa to Judy, who is working on an open-air play. Judy persuades Tom to invest in her product of The Tempest.
Kit and Lissa'south romance grows but, whenever things get serious, Kit backs away. Lissa grows increasingly frustrated, especially after he refuses Tom's offering to supervise the reopening of a mine in which Kit has establish much-needed molybdenum, and she finally breaks up with him. Kit confesses to Judy that he has never met anyone equally understanding every bit Lissa.
The adjacent day a mining accident traps Tom and his crew. When Kit descends the mine, he too becomes trapped only is able to escape and rescue them, proving he is not a coward. When Lissa finds him practising reading Braille, everything falls into place. She urges him to have surgery, but he says the doctors estimated his chances of surviving it were 100 to one, and that Judy had talked him out of it.
Lissa gets Judy to admit she views incomprehension equally a godsend; Kit would have to turn to her. They agree Lissa will leave him if Judy persuades Kit to have the operation. Afterward Kit leaves for surgery, Judy and her company set for their play. For the premiere, Judy is unable to become on until she hears the results of the imminent surgery. Lissa placates the audience for the filibuster by performing her new limerick inspired by Kit. During her performance, she is overwhelmed by the same fear, and faints.
When Lissa recovers, she is reassured that Kit is well. When Judy thanks her for giving up Kit, Lissa admits that she is non giving upwardly much—because she is dying. True to her give-and-take, she says cheerio to Kit, saying she will be going on a world tour and may not run into him once more. Despite his profession of dearest, Lissa leaves, heartbroken. In the coming weeks she travels the earth, entertaining the troops. Meanwhile, Kit proposes to Judy and she accepts, just their relationship lacks passion. Despite Tom's communication to her to accept the truth and not cheat another woman out of the honey she deserves, Judy insists she volition non give up Kit.
Old later, Lissa is performing at the Imperial Albert Hall. Later on her final number, she spots Kit in the wings in his RAF uniform, and runs into his artillery before fainting. When she recovers, she sees Judy. Recognising that he will always dearest Lissa, Judy announces, to Kit's surprise, that they will non be getting married and leaves abruptly – Kit never belonged to her. Lissa finally reveals she but has months to live. Kit tells her they must take what happiness they can.
Cast [edit]
- Margaret Lockwood as Lissa Campbell
- Stewart Granger equally Kit Firth
- Patricia Roc as Judy
- Tom Walls as Tom Tanner
- Reginald Purdell equally Albert
- Walter Hudd equally Ray
- A. E. Matthews every bit Col. Pitt Smith
- Josephine Middleton every bit Mrs. Pitt Smith
- Beatrice Varley as Miss Rossiter
- Laurence Hanray as Angus Rossiter
- Brian Herbert as Stuttering Cornish Fisherman
- Roy Emerton as Cornish Fisherman
- George Merritt as Telephone Engineer
- Moira Lister as Carol
- Sidney Beer as Conductor
- Dorothy Bramhall as Susie
- Vincent Holman every bit Prospero
- Joan Rees as Ariel
Production [edit]
Arliss admitted gaining inspiration from a number of magazine stories, chosen "Love and Forget", "The Send Sailed at Night" and "A Night in Algiers".[6]
Honey Story was filmed at Gaumont-British Studios in Lime Grove, Shepherd'southward Bush-league, London, and the Minack Theatre in Porthcurno in Cornwall, England.[7] The final concert scenes were filmed at the Royal Albert Hall in London.[v]
Lockwood had not played piano since schoolhouse but learned how to play the concerto for realism in her performance. She expert for hours every day with Harriet Cohen, who performed on the soundtrack. "In the end I was able to play with not also many mistakes," wrote Lockwood.[8] She wrote that she and Roc had to "slap each other'south faces constantly, til we both ached."[nine]
Stewart Granger was making Waterloo Road at the same time every bit this film. He says Gainsborough was bombed while making Love Story, which he later called "a load of crap – and a smash hit!"[10]
Reception [edit]
Advertisement for the film on display in Sydney, Australia (1946)
Box office [edit]
The film was very popular at the British box office.[11] Co-ordinate to Kinematograph Weekly the 'biggest winners' at the box role in 1944 Britain were For Whom the Bell Tolls, This Happy Brood, The Song of Bernadette, Going My Way, This Is the Regular army, Jane Eyre, The Story of Dr Wassell, Cover Daughter, White Cliffs of Dover, Sweetness Rosie O'Grady and Fanny By Gaslight (the latter beingness from the same studio equally Love Story, and also starring Stewart Granger). The biggest British hits of the year were This Happy Breed, with runners upwards being Fanny By Gaslight, The Way Ahead and Love Story.[12] [thirteen]
Critical [edit]
In his review of the DVD version Jeremy Arnold excused the movie's overly melodramatic storyline and lack of realism and appreciated the context in which the motion picture was released. "For wartime British audiences", Arnold wrote, "a melodramatic romance dealing with decease, heroism and sacrifice, lushly photographed amidst the shores of Cornwall, must have served as a shot in the arm."[5] Arnold found the pic to be "so skillfully made that what seems similar contrived melodrama in the abstract comes off more equally only a sweeping romantic aura on screen."[5] Arnold praised the acting in the moving picture, writing that Lockwood "delivers a solid performance" and that the supporting actors, Tom Walls and Patricia Roc, stole the film. A well-known comic actor of the British stage and screen whose career began in 1905, Walls appeared in Honey Story toward the stop of his life. Patricia Roc was in some ways the more desirable of the two romantic choices, according to Arnold, who noted that "our optics become to her more than to Lockwood whenever the two share the screen."[5]
Film scholar William K. Everson wrote that the motion picture "enabled the housewives, themselves much put upon, to wallow in the greater and more artificial cocky-sacrifice shown on the screen and to observe in it a kind of gimmicky escapism."[5]
Filmink magazine said "Similar Man in Grey, it was (a) washed with intensity, stride and complete confidence, (b) was critically dismissed, even past its stars (c) became a big hitting, and (d) holds up surprisingly well today."[14]
References [edit]
- ^ Robert White potato (two September 2003). Realism and Tinsel: Picture palace and Club in Britain 1939–48. p. 55. ISBN9781134901500.
- ^ a b Kinematograph Weekly. 19 April 1945.
- ^ "Love Story". Cyberspace Movie Database . Retrieved 7 Feb 2013.
- ^ "English Move In With Slow Drama". The New York Times. 20 June 1947. Retrieved 31 March 2020 – via New York Times Annal.
- ^ a b c d eastward f Arnold, Jeremy. "Love Story". Turner Classic Movies . Retrieved 8 Feb 2013.
- ^ C.A. LEJEUNE (iii October 1943). "NOTES About BIRDS AND PICTURES FROM LONDON". New York Times. p. X3.
- ^ "Locations for Honey Story". Internet Pic Database . Retrieved 7 February 2013.
- ^ Lockwood, Margaret (1955). Lucky Star: The Autobiography of Margaret Lockwood. Odhams Press Limited. p. 100.
- ^ Lockwood p 108-109
- ^ Brian MacFarlane, An Autobiography of British Cinema, Methuen 1997 p 230
- ^ "GAUMONT-BRITISH PICTURE: INCREASED NET Turn a profit". The Observer. London (United kingdom). 4 November 1945. p. 3.
- ^ Lant, Antonia (1991). Blackout : reinventing women for wartime British movie house. Princeton Academy Press. pp. 231–232.
- ^ Robert White potato (2003). Realism and Tinsel: Movie theater and Lodge in United kingdom of great britain and northern ireland 1939–48. p. 207. ISBN9781134901500.
- ^ Vagg, Stephen (29 January 2020). "Why Stars Finish Existence Stars: Margaret Lockwood". Filmink.
External links [edit]
- Beloved Story at IMDb
- Love Story at AllMovie
- Love Story at the TCM Movie Database
- Dear Story at Silver Sirens
- Review of 1947 U.s. edition of flick at Variety
- Review of 1944 United kingdom release of film at Variety
- Beloved Story at Britmovie
Source: https://en.wikipedia.org/wiki/Love_Story_(1944_film)
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